A
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation) Engraved mirror and serigraphie, back paints to the hand H80 × W62 × D0.5 cm
Valerio Adami17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation) Engraved mirror and serigraphie, back paints to the hand H80 × W62 × D0.5 cm
The Sea of Pink Ice, 2016, Oil on canvas, 194 × 259 cm
Ahn Jisan (안지산)The Sea of Pink Ice, 2016, Oil on canvas, 194 × 259 cm
White Line Square I, from White Line Squares Series (Series I), 1966, Set of three-color aluminum lithographs in colors on Arches Cover, H52.7 × W52.7 cm, ed. 125
Josef AlbersWhite Line Square I, from White Line Squares Series (Series I), 1966, Set of three-color aluminum lithographs in colors on Arches Cover, H52.7 × W52.7 cm, ed. 125
White Line Square IX, from White Line Squares Series (Series II), 1966, Set of three-color aluminum lithographs in colors on Arches Cover, H52.7 × W52.7 cm, ed. 125
Josef AlbersWhite Line Square IX, from White Line Squares Series (Series II), 1966, Set of three-color aluminum lithographs in colors on Arches Cover, H52.7 × W52.7 cm, ed. 125
White Line Square ll, from White Line Squares Series (Series I), 1966, Set of three-color aluminum lithographs in colors on Arches Cover, H52.7 × W52.7 cm, ed. 125
Josef AlbersWhite Line Square ll, from White Line Squares Series (Series I), 1966, Set of three-color aluminum lithographs in colors on Arches Cover, H52.7 × W52.7 cm, ed. 125
동일본 대지진 후 미야기현(縣), 나토리 시(市), 유리아게 구(區)에서 수집한 페트병의 복원(기념비) 2012 Plastic, paper(books), acrylic paint 67 × 30 × 23 cm
Aono Fumiaki동일본 대지진 후 미야기현(縣), 나토리 시(市), 유리아게 구(區)에서 수집한 페트병의 복원(기념비) 2012 Plastic, paper(books), acrylic paint 67 × 30 × 23 cm
야마가타 현(縣) 히가시네 시(市)에서 수집된 오래 전 무단 폐기된 자동차의 복원 2011 Metal, amber, plywood, acrylic paint 85 × 150 × 250 cm
Aono Fumiaki야마가타 현(縣) 히가시네 시(市)에서 수집된 오래 전 무단 폐기된 자동차의 복원 2011 Metal, amber, plywood, acrylic paint 85 × 150 × 250 cm
De Schilderskist van Karel Appel, 1977, 1 painted wooden multiple, 7 screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelDe Schilderskist van Karel Appel, 1977, 1 painted wooden multiple, 7 screenprints, 50 × 50 cm(each), ed. 211/300
De Tovenaar, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelDe Tovenaar, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Figure composition, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelFigure composition, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Hete gele hoofd, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelHete gele hoofd, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Like flowers, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelLike flowers, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Multi coloured composition, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelMulti coloured composition, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Untitled, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelUntitled, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Untitled, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
Karel AppelUntitled, 1977, screenprints, 50 × 50 cm(each), ed. 211/300
I Painted Their Animals, 1978, Wood-block print on Arches paper, 78 × 58 cm, ed. 79/130
Karel AppelI Painted Their Animals, 1978, Wood-block print on Arches paper, 78 × 58 cm, ed. 79/130
The Circus Eye, 1978, Monotype on paper (from the circus portfolio), 78 × 58 cm
Karel AppelThe Circus Eye, 1978, Monotype on paper (from the circus portfolio), 78 × 58 cm
The Elephant, 1950, Bronze, 66 × 51 × 41 cm, ed. 5/6
Karel AppelThe Elephant, 1950, Bronze, 66 × 51 × 41 cm, ed. 5/6
B
Untitled
Bae Hyung Kyung (배형경)Untitled
Untitled 5-3 (red), 2019, Candy color coating, bronze, 40 × 30 × 11 cm, ed. 1/5
Bae Hyung Kyung (배형경)Untitled 5-3 (red), 2019, Candy color coating, bronze, 40 × 30 × 11 cm, ed. 1/5
Untitled, 2010, bronze, iron, 38 × 38 × 162 cm
Bae Hyung Kyung (배형경)Untitled, 2010, bronze, iron, 38 × 38 × 162 cm
말로는 다 할 수 없는 것 (Not Enough in Words), Bronze, 180 × 55 × 45 cm
Bae Hyung Kyung (배형경)말로는 다 할 수 없는 것 (Not Enough in Words), Bronze, 180 × 55 × 45 cm
Chocolate Cone, 2007, Silkscreen in 33 colors, 146.7 × 102.9 cm, ed. 69
Donald BaechlerChocolate Cone, 2007, Silkscreen in 33 colors, 146.7 × 102.9 cm, ed. 69
Green Cone, 2007, Silkscreen in 31 colors, 46.7 × 102.9 cm, ed. 69
Donald BaechlerGreen Cone, 2007, Silkscreen in 31 colors, 46.7 × 102.9 cm, ed. 69
Untitled, Lithograph, 62 × 45 cm, ed. 62/100
Cesar BaldacciniUntitled, Lithograph, 62 × 45 cm, ed. 62/100
Untitled, Lithograph, 70 × 48 cm, ed. 62/100
Cesar BaldacciniUntitled, Lithograph, 70 × 48 cm, ed. 62/100
Romantik I, 1999, Etching, Printed in Colors on Wave Paper, 76 × 57 cm, ed. 24/25
Georg BaselitzRomantik I, 1999, Etching, Printed in Colors on Wave Paper, 76 × 57 cm, ed. 24/25
Gothic Attempt 24, 2004, Cibachrome photographs, 101.6 × 160 cm (101.6 × 50.8 cm(each)), ed. 3
william BeckleyGothic Attempt 24, 2004, Cibachrome photographs, 101.6 × 160 cm (101.6 × 50.8 cm(each)), ed. 3
Untitled, 1994, Set of 8, graphite, gouche, watercolor on paper, 29.2 × 20.9 cm(each)
Vanessa BeecroftUntitled, 1994, Set of 8, graphite, gouche, watercolor on paper, 29.2 × 20.9 cm(each)
ABSTRACT SCULPTURE, 2020, Stainless steel on wooden base, 64 × 40 × 60 cm
S. B. BerlinerABSTRACT SCULPTURE, 2020, Stainless steel on wooden base, 64 × 40 × 60 cm
Garden Yoda, 2019, Acrylic and spray paint on canvas, 182.8 × 152.4 cm
Katherine BernhardtGarden Yoda, 2019, Acrylic and spray paint on canvas, 182.8 × 152.4 cm
'Wirtschaftvert "Palette", Plastics, felt pen , 12 × 22 × 2 cm
Joseph Beuys'Wirtschaftvert "Palette", Plastics, felt pen , 12 × 22 × 2 cm
Flying Man With Briefcase, 1983, Painted Gatorfoam, 241.3 × 63.5 × 2.5 cm
Jonathan BorofskyFlying Man With Briefcase, 1983, Painted Gatorfoam, 241.3 × 63.5 × 2.5 cm
Together, 2005, Portfolio of six prints including title page inscribed by artist, drypoint and engraving with chine colle, 38 × 43 cm(each), ed. 10/15
Louise BourgeoisTogether, 2005, Portfolio of six prints including title page inscribed by artist, drypoint and engraving with chine colle, 38 × 43 cm(each), ed. 10/15
I Suppose They Are After Me, 2010, Acrylic, oil, pastel on linen, 148 × 149 cm
Starsky Brines I Suppose They Are After Me, 2010, Acrylic, oil, pastel on linen, 148 × 149 cm
Since Long Ago I Have Never Left Her, 2010, Acrylic, oil, pastel on linen, 148.5 × 167 cm
Starsky BrinesSince Long Ago I Have Never Left Her, 2010, Acrylic, oil, pastel on linen, 148.5 × 167 cm
Still-life, Lithograph, 71 × 51 cm, ed. 118/125
Bernard BuffetStill-life, Lithograph, 71 × 51 cm, ed. 118/125
9 Isosceles Triangular Prism and 9 Flat Mirrors – No. 1, 2015, Wood, mirror, plexiglass, black self-adhesive vinyl, glue, H240 × W300 × D30 cm
Daniel Buren9 Isosceles Triangular Prism and 9 Flat Mirrors – No. 1, 2015, Wood, mirror, plexiglass, black self-adhesive vinyl, glue, H240 × W300 × D30 cm
Déchirure II (Tear II), (Orange/Blue), 2006, Silkscreen, 62.5 × 46.5 cm, ed. 3/10
Daniel BurenDéchirure II (Tear II), (Orange/Blue), 2006, Silkscreen, 62.5 × 46.5 cm, ed. 3/10
C
Black Elephant, 1973, Mixed media sculpture edition painted bronze stabile, 30 × 55 × 10.5 cm, Edition 593/999
Alexander CalderBlack Elephant, 1973, Mixed media sculpture edition painted bronze stabile, 30 × 55 × 10.5 cm, Edition 593/999
Comp, 1965, Lithograph in colours on fine cream wove paper, 65.5 × 84 cm , ed. 113/150
Alexander CalderComp, 1965, Lithograph in colours on fine cream wove paper, 65.5 × 84 cm , ed. 113/150
Environment and Evolution Creation, 1975, Lithograph, 66 × 96.5 cm, ed. 120/125
Alexander CalderEnvironment and Evolution Creation, 1975, Lithograph, 66 × 96.5 cm, ed. 120/125
Des journées entières sous le signe du B, du C, du W (ENGLISH), 2013, Digital print on 100% cotton paper, 69.8 × 49.5 cm, ed. 31/150
Sophie CalleDes journées entières sous le signe du B, du C, du W (ENGLISH), 2013, Digital print on 100% cotton paper, 69.8 × 49.5 cm, ed. 31/150
Où et Quand? Berck, 2004/2008, Print, te×t, frame, videoscreen, neon, dimensions variable, ed. 5
Sophie CalleOù et Quand? Berck, 2004/2008, Print, te×t, frame, videoscreen, neon, dimensions variable, ed. 5
Wait for Me (ENGLISH), 2013, Digital print on 100% cotton paper, 70 × 50 cm, ed. 32/150
Sophie CalleWait for Me (ENGLISH), 2013, Digital print on 100% cotton paper, 70 × 50 cm, ed. 32/150
Leaf Pool, 1996-2000, Cardboard fold-out multiple, 29.8 × 64.5 × 8.9 cm, ed. 345/500
Anthony CaroLeaf Pool, 1996-2000, Cardboard fold-out multiple, 29.8 × 64.5 × 8.9 cm, ed. 345/500
The Wrong Gallery, 2005, Sculptures, wood, brass, steel, aluminum, resin, plastic, glass, electric lighting , ed. 354/2500, 45 × 28 × 6 cm
Maurizio CattelanThe Wrong Gallery, 2005, Sculptures, wood, brass, steel, aluminum, resin, plastic, glass, electric lighting , ed. 354/2500, 45 × 28 × 6 cm
Rue Visconti, 2006, Lightjet print, 160 × 200 cm, ed. 2/3
Chang Sung Eun (장성은)Rue Visconti, 2006, Lightjet print, 160 × 200 cm, ed. 2/3
Human Rainbow: From The Blackened Beyond, 2012, Portfolio of 38 etchings, 30 × 36 cm(each), ed. 10/35
Jake ChapmanHuman Rainbow: From The Blackened Beyond, 2012, Portfolio of 38 etchings, 30 × 36 cm(each), ed. 10/35
Towards something far away, 2024, Oil and Acrylic on canvas, 162 x 130 cm
Joseph ChoïTowards something far away, 2024, Oil and Acrylic on canvas, 162 x 130 cm
Study for figure N.23, 2022, 35 x 27 cm
Joseph ChoïStudy for figure N.23, 2022, 35 x 27 cm
A monument to the endless rainfall, 2016, Oil on canvas, 195 × 240 × 4.5 cm
Leslie de ChavezA monument to the endless rainfall, 2016, Oil on canvas, 195 × 240 × 4.5 cm
Study For In The Theater Of Operations, 2016, Mixed Media, 82 × 68 × 9 cm (frame size with glass)
Leslie de ChavezStudy For In The Theater Of Operations, 2016, Mixed Media, 82 × 68 × 9 cm (frame size with glass)
The Specter, 2016, concreate, metal, wood, rattan, shovel, 188 × 198 × 110 cm
Leslie de ChavezThe Specter, 2016, concreate, metal, wood, rattan, shovel, 188 × 198 × 110 cm
방어자세 III, 2016, Ceramic, gold / 26.7kg , H106 × W35 × D34 cm
Cho Kwanghun (조광훈)방어자세 III, 2016, Ceramic, gold / 26.7kg , H106 × W35 × D34 cm
앵무새 가면을 쓴 아이 II, 2016, Ceramic, gold, leather / 26kg , H103 × W35 × D35 cm
Cho Kwanghun (조광훈)앵무새 가면을 쓴 아이 II, 2016, Ceramic, gold, leather / 26kg , H103 × W35 × D35 cm
Alchemy, 2014, Acrylic bowls, stainless steel base, LED lights, 193 × 35 × 35 cm
Choi Jeong Hwa (최정화)Alchemy, 2014, Acrylic bowls, stainless steel base, LED lights, 193 × 35 × 35 cm
The Present of Century Series, 2013, FRP with chrome coating finish (Silver 206 × 59 × 59 cm/Blue 152 × 44 × 44 cm/Red-2 146 × 41 × 29 cm)
Choi Jeong Hwa (최정화)The Present of Century Series, 2013, FRP with chrome coating finish (Silver 206 × 59 × 59 cm/Blue 152 × 44 × 44 cm/Red-2 146 × 41 × 29 cm)
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on mirror, framework drinks, 75.5 × 52 × 3 cm
Chu Teh-Chun17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on mirror, framework drinks, 75.5 × 52 × 3 cm
Wall Plate: Highlights from Wall Plates (Cristea 70), 1987, Screenprints in colors on wove paper, ed. 50, 129.4 × 101.5 cm
Patrick ClaufieldWall Plate: Highlights from Wall Plates (Cristea 70), 1987, Screenprints in colors on wove paper, ed. 50, 129.4 × 101.5 cm
Cyclades, Bronze , 13.5 × 24 cm, ed. 400/500
Jean CocteauCyclades, Bronze , 13.5 × 24 cm, ed. 400/500
Cyclades, Stone, 13.5 × 24 cm, ed. 60/150
Jean CocteauCyclades, Stone, 13.5 × 24 cm, ed. 60/150
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on fixed mirror on aluminum, 92.5 × 60 × 1 cm
Robert Combas17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on fixed mirror on aluminum, 92.5 × 60 × 1 cm
La famille Radaze, 2001, painted resin, 86 × 23 × 19 cm
Robert CombasLa famille Radaze, 2001, painted resin, 86 × 23 × 19 cm
Eternal Song of Summer 1-4 2003 Terragraph on paper 35 × 29 cm Edition of 120
Guillaume CorneilleEternal Song of Summer 1-4 2003 Terragraph on paper 35 × 29 cm Edition of 120
Left to Right, Top to Bottom:, Chat Jaune avec Histoire de l'Amour, Chat E×otique des lsles de Sud, Chat Bleue, Chat Verde, Chat de la Chance de Jaffa, Tigre Jaune avec Une Chanson, Chat Amoureux de I'Ocean, 2004, Terragraph on metal, 55 × 71 × 7 cm, ed. 199
Guillaume CorneilleLeft to Right, Top to Bottom:, Chat Jaune avec Histoire de l'Amour, Chat E×otique des lsles de Sud, Chat Bleue, Chat Verde, Chat de la Chance de Jaffa, Tigre Jaune avec Une Chanson, Chat Amoureux de I'Ocean, 2004, Terragraph on metal, 55 × 71 × 7 cm, ed. 199
Rêve des îles, 1994, Cast stone, painted in polychrome colors, 27 × 17 × 7 cm, ed. 999
Guillaume CorneilleRêve des îles, 1994, Cast stone, painted in polychrome colors, 27 × 17 × 7 cm, ed. 999
A is for Umbrella, 2007, Acrylic on aluminum, 200 × 200 cm
Michael Craig-MartinA is for Umbrella, 2007, Acrylic on aluminum, 200 × 200 cm
Folio, 2004, Set of 12 screenprints contained within a solander box / 12 pieces, 33 × 100 cm(each), ed. 36/40
Michael Craig-MartinFolio, 2004, Set of 12 screenprints contained within a solander box / 12 pieces, 33 × 100 cm(each), ed. 36/40
Art & Design, 2010, Screenprints on somerset tub-sized satin 410gsm paper / set of 6 pieces, H100 × W45.3 cm(each), ed. 18/50
Michael Craig-MartinArt & Design, 2010, Screenprints on somerset tub-sized satin 410gsm paper / set of 6 pieces, H100 × W45.3 cm(each), ed. 18/50
Heads ver.2, 2022, PVC, crystal glass, 11.6 x 12 x 30(h) cm
Javier CallejaHeads ver.2, 2022, PVC, crystal glass, 11.6 x 12 x 30(h) cm
D
En presencia, 1999, 102 × 117 cm
José Antonio DávilaEn presencia, 1999, 102 × 117 cm
Olympic Robe for Korean, 1988, lithograph, 87 × 65 cm
Jim DineOlympic Robe for Korean, 1988, lithograph, 87 × 65 cm
Fox, 1988, Rust, Iron, 106 × 82 × 100(h) cm
Yuko DoyaFox, 1988, Rust, Iron, 106 × 82 × 100(h) cm
E
360 Degree Compass, 2009, Steel, lacquered wood, magnet, steel wire, thread, 60 × 60 × 60 cm, ed. 266/360
Olafur Eliasson360 Degree Compass, 2009, Steel, lacquered wood, magnet, steel wire, thread, 60 × 60 × 60 cm, ed. 266/360
Sunset Door, (Door Cycle), 2006, Wooden door panel with color effect filter and light, door 210 × 90 × 12 cm, bucket 28 × 30 cm, ed. 15
Olafur EliassonSunset Door, (Door Cycle), 2006, Wooden door panel with color effect filter and light, door 210 × 90 × 12 cm, bucket 28 × 30 cm, ed. 15
La Petit Tortue, 1975, Marble, 2 parts, 31.5 × 27 × 20.5 cm, ed. 23/150, 18 AP
Max ErnstLa Petit Tortue, 1975, Marble, 2 parts, 31.5 × 27 × 20.5 cm, ed. 23/150, 18 AP
Lit-Cage et Son Paravent (Cage-Bed With Screen), 1974, Walnut, alder wood, brass, mirror, offset lithograph collage, 216 × 261 × 261 cm
Max ErnstLit-Cage et Son Paravent (Cage-Bed With Screen), 1974, Walnut, alder wood, brass, mirror, offset lithograph collage, 216 × 261 × 261 cm
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror and serigraphie on cut aluminum, 80 × 65 × 0.5 cm
Erró17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror and serigraphie on cut aluminum, 80 × 65 × 0.5 cm
F
David, 2006, Painted plaster, 110 × 42.9 × 34 cm
Hans-Peter FeldmannDavid, 2006, Painted plaster, 110 × 42.9 × 34 cm
Hesitation No.3, 2008, Colored fiberglass paper and aluminum plate, 250 × 600 × 95 cm, ed. 1/8
Yiying FengHesitation No.3, 2008, Colored fiberglass paper and aluminum plate, 250 × 600 × 95 cm, ed. 1/8
Jiu Peng/久鹏, Bronze, 2007, ed. 7/8 , 120 × 120 × 120 cm
Yiying FengJiu Peng/久鹏, Bronze, 2007, ed. 7/8 , 120 × 120 × 120 cm
Cello Armchair, 1993, Bronze, 85 × 65 × 50 cm
Arman FernandezCello Armchair, 1993, Bronze, 85 × 65 × 50 cm
Violin, Bronze, 74 × 26 × 11 cm, Limited edition
Arman FernandezViolin, Bronze, 74 × 26 × 11 cm, Limited edition
Edeka Frau Nr. 452, 2009, Carved lime-tree wood, 45 × 10 × 10 cm
Kristina FiandEdeka Frau Nr. 452, 2009, Carved lime-tree wood, 45 × 10 × 10 cm
Pan, 2005, Oil on canvas, 127 × 228.6 cm
Jon FlackPan, 2005, Oil on canvas, 127 × 228.6 cm
Lexikonzeichnung (2. Serie Mensch), (Door Cycle), 2006, Screenprint on both sides of an Amphibolin primed wooden door panel, 200 × 90 × 4 cm, ed. 15
Katharina FritschLexikonzeichnung (2. Serie Mensch), (Door Cycle), 2006, Screenprint on both sides of an Amphibolin primed wooden door panel, 200 × 90 × 4 cm, ed. 15
Merchant, 2001, c-print, 54 × 125 cm
Katharina FritschMerchant, 2001, c-print, 54 × 125 cm
G
Let the world take a turn, 2018, Offset lithograph, 84 × 60 cm
Ryan GanderLet the world take a turn, 2018, Offset lithograph, 84 × 60 cm
Hibernate 休眠, 2015, Special printing on stainless steel plates and bronze casting, AP 1/1 from ed. 1/1 + AP 1/1, Panels: H65 × W109 × D4 cm(each), Remote Controllers: H6 × W25 × D3 cm(each), 3 Poles: H100 cm
Lei GaoHibernate 休眠, 2015, Special printing on stainless steel plates and bronze casting, AP 1/1 from ed. 1/1 + AP 1/1, Panels: H65 × W109 × D4 cm(each), Remote Controllers: H6 × W25 × D3 cm(each), 3 Poles: H100 cm
A short text on the possibility of creating an economy of equivalence, (Door Cycle), 2006, Stainless steel on laminated wooden door panel with silkscreen in three color variations: white, black and orange, 200 × 90 × 4.2 cm, ed. 15 (5 in each color)
Liam GillickA short text on the possibility of creating an economy of equivalence, (Door Cycle), 2006, Stainless steel on laminated wooden door panel with silkscreen in three color variations: white, black and orange, 200 × 90 × 4.2 cm, ed. 15 (5 in each color)
Bearlike Construction, 2017, Resin, 50 × 38 × 44(h) cm, ed. 4/5 + 2AP
Gim Hongsok (김홍석)Bearlike Construction, 2017, Resin, 50 × 38 × 44(h) cm, ed. 4/5 + 2AP
H
Untitled (See No Evil, Hear No Evil, Speak No Evil): One Plate, 1989, Screenprint in colors on wove paper, 28.6 × 26.9 cm, Numbered 'AP' 1/20 (ed. 200)
Keith HaringUntitled (See No Evil, Hear No Evil, Speak No Evil): One Plate, 1989, Screenprint in colors on wove paper, 28.6 × 26.9 cm, Numbered 'AP' 1/20 (ed. 200)
Spun Chair, 2010, Polished stainless steel / 1 piece, 66 × 91.5 × 66 cm
Thomas HeatherwickSpun Chair, 2010, Polished stainless steel / 1 piece, 66 × 91.5 × 66 cm
Cineole, 2004, Spot etching with 61 different colors on each of the 61 spots, printed on 350 gsm Hahnemuhle paper, 115 × 112.5 cm, ed. 145
Damien HirstCineole, 2004, Spot etching with 61 different colors on each of the 61 spots, printed on 350 gsm Hahnemuhle paper, 115 × 112.5 cm, ed. 145
Cupric Bromide, 2011-2012, Wood block print on paper, 15.2 × 15.2 cm, ed. 34/55
Damien HirstCupric Bromide, 2011-2012, Wood block print on paper, 15.2 × 15.2 cm, ed. 34/55
For the Love of God, Laugh, 2007, Silkscreen print with glazes and diamond dust on paper, 100 × 75 cm, ed. 129/250
Damien HirstFor the Love of God, Laugh, 2007, Silkscreen print with glazes and diamond dust on paper, 100 × 75 cm, ed. 129/250
Painful Memory, 2005, Pencil and mixed media collage on lambda print, 202.9 × 109 cm
Damien HirstPainful Memory, 2005, Pencil and mixed media collage on lambda print, 202.9 × 109 cm
Pharmacy, 1992, Framed offset print, 22 × 22 × 2.5 cm, ed. 79/200
Damien HirstPharmacy, 1992, Framed offset print, 22 × 22 × 2.5 cm, ed. 79/200
Phenyl Salicylate, 2012, Wood block print on paper, 15.2 × 15.2 cm, ed. 36/55
Damien HirstPhenyl Salicylate, 2012, Wood block print on paper, 15.2 × 15.2 cm, ed. 36/55
Soul Love, 2010, 100% cotton, 177 × 152 cm
Damien HirstSoul Love, 2010, 100% cotton, 177 × 152 cm
The Souls Ⅲ, (Prairie Copper-Silver Gloss-Topaz), 2010, Foil block prints 300gsm Arches 88 Archival paper, 72 × 51 cm, ed. 3/15
Damien HirstThe Souls Ⅲ, (Prairie Copper-Silver Gloss-Topaz), 2010, Foil block prints 300gsm Arches 88 Archival paper, 72 × 51 cm, ed. 3/15
Trust, 2008, Cellulose paint on bronze with coins and mirrored stainless steel, 100 × 65 × 36 cm, ed. 3/12
Damien HirstTrust, 2008, Cellulose paint on bronze with coins and mirrored stainless steel, 100 × 65 × 36 cm, ed. 3/12
Utopia, 2012, Inkjet, glaze, and foilblock on Hahnemühle photo rag satin 310gsm, 69.3 × 82.4 cm, ed. 43/55
Damien HirstUtopia, 2012, Inkjet, glaze, and foilblock on Hahnemühle photo rag satin 310gsm, 69.3 × 82.4 cm, ed. 43/55
Blue Mineral, 2016, Hand-tufted Wool, Viscos, 170 × 210 cm, ed. 1/10
HoC (House of Collections) 조정미.홍지연.이지나 Blue Mineral, 2016, Hand-tufted Wool, Viscos, 170 × 210 cm, ed. 1/10
Pictures at an Exhibition, 2018, photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of Dibond, 273.1 × 733.4 cm
David HockneyPictures at an Exhibition, 2018, photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of Dibond, 273.1 × 733.4 cm
Hands, 2006, Oil on canvas, 30 × 50 cm
Torsten HoltzHands, 2006, Oil on canvas, 30 × 50 cm
Bowl - In case of Emergency Series, 2008, mixed media, 52.5 × 46.5 × 12.3 cm, ed. 23/100
Jackson Hong (잭슨 홍)Bowl - In case of Emergency Series, 2008, mixed media, 52.5 × 46.5 × 12.3 cm, ed. 23/100
Double Bind (Yellow) - In Case of Emergency Series, 2008, mixed media, 23.5 × 36 × 6 cm, ed. 4/50
Jackson Hong (잭슨 홍)Double Bind (Yellow) - In Case of Emergency Series, 2008, mixed media, 23.5 × 36 × 6 cm, ed. 4/50
Pliage, Z189, Green, 2007, Metal, epoxy, W100 × H260 cm
Gottfried HonegerPliage, Z189, Green, 2007, Metal, epoxy, W100 × H260 cm
Wide Shut 2, 2017, Acrylic on canvas, 200 × 200 cm
Dariush HosseiniWide Shut 2, 2017, Acrylic on canvas, 200 × 200 cm
Wide Shut 4, 2017, Acrylic on canvas, 200 × 200 cm
Dariush HosseiniWide Shut 4, 2017, Acrylic on canvas, 200 × 200 cm
Mark Rothko, 2001, Hand-painted multiple with lithography, 78 × 43 × 15 cm, ed. 14/40
Patrick HughesMark Rothko, 2001, Hand-painted multiple with lithography, 78 × 43 × 15 cm, ed. 14/40
Shutters, 2003, Hand-painted multiple with lithography, 46 × 96.5 × 15 cm, ed. 22/45
Patrick HughesShutters, 2003, Hand-painted multiple with lithography, 46 × 96.5 × 15 cm, ed. 22/45
Astro Boy, 2016, Glass Fiber, Varnishing with lacquer, 84 × 120 cm
Huh Myung Wook (허명욱)Astro Boy, 2016, Glass Fiber, Varnishing with lacquer, 84 × 120 cm
Astro Boy, 2016, Pigment print on canvas, 84 × 120 cm
Huh Myung Wook (허명욱)Astro Boy, 2016, Pigment print on canvas, 84 × 120 cm
Untitled, 21.5 × 27.7 cm
Huh Myung Wook (허명욱)Untitled, 21.5 × 27.7 cm
American Tan XXIV, 2007, Screenprint on 410gsm Somerset Tub sized paper, 122 × 100 cm, ed. 31/150
Gary HumeAmerican Tan XXIV, 2007, Screenprint on 410gsm Somerset Tub sized paper, 122 × 100 cm, ed. 31/150
Nature Dreamer, 1992, Gloss household paint on wood panel, in four parts, Left to Right: 52.4 × 37 cm, 57.2 × 42.5 cm, 62.3 × 38.2 cm, 55.8 × 45.7 cm
Gary HumeNature Dreamer, 1992, Gloss household paint on wood panel, in four parts, Left to Right: 52.4 × 37 cm, 57.2 × 42.5 cm, 62.3 × 38.2 cm, 55.8 × 45.7 cm
Vicious, 2010, 12 color silkscreen printed on 410 gsm somerset tub, 89 × 75 cm, ed. 89/250
Gary HumeVicious, 2010, 12 color silkscreen printed on 410 gsm somerset tub, 89 × 75 cm, ed. 89/250
Layered Series Chair, 2015, PP board, brass, H125 × W95 × D45 cm, H75 × W90 × D60 cm
Hwang Hyung Shin (황형신)Layered Series Chair, 2015, PP board, brass, H125 × W95 × D45 cm, H75 × W90 × D60 cm
Untitled, 2018, buttons, pins, beads on plexiglas panel, ⌀ 33 cm
Hwang Ran (황란)Untitled, 2018, buttons, pins, beads on plexiglas panel, ⌀ 33 cm
Worldview Model IV, Plastic, 42 cm x 18 cm x 13 cm (H/B/D)
Ottmar HörlWorldview Model IV, Plastic, 42 cm x 18 cm x 13 cm (H/B/D)
I
Numbers, 1968, Set of 10 screenprints in colours, on schoellers parole paper, with full margins, 63.5 × 50 cm(each), ed. 125
Robert IndianaNumbers, 1968, Set of 10 screenprints in colours, on schoellers parole paper, with full margins, 63.5 × 50 cm(each), ed. 125
J
Over the River, Project for the Arkansas river, state of Colorado, 2000, Pencil, pastel, charcoal, crayon, hand-drawn topographic map, photograph and tape (drawing in two parts), Above: 38 × 244 cm, Below: 106.6 × 244 cm
Christo JavacheffOver the River, Project for the Arkansas river, state of Colorado, 2000, Pencil, pastel, charcoal, crayon, hand-drawn topographic map, photograph and tape (drawing in two parts), Above: 38 × 244 cm, Below: 106.6 × 244 cm
Running Fence, 1976, lithograph with collage (3 pieces), 34 × 44 cm
Christo JavacheffRunning Fence, 1976, lithograph with collage (3 pieces), 34 × 44 cm
Sleeping Fawn, 2000, Lithograph, silkscreen and collage of polyethylene, twine and crayon on chipboard, 81.3 × 58.4 cm, ed. 100 + 25 AP
Christo JavacheffSleeping Fawn, 2000, Lithograph, silkscreen and collage of polyethylene, twine and crayon on chipboard, 81.3 × 58.4 cm, ed. 100 + 25 AP
Wrapped Motorcycle, 1997, Lithograph with Collage of Broadcloth, Polyethylene, Twine, and Pencil, 54.6 × 45.7 cm, ed. 5/130
Christo JavacheffWrapped Motorcycle, 1997, Lithograph with Collage of Broadcloth, Polyethylene, Twine, and Pencil, 54.6 × 45.7 cm, ed. 5/130
Wrapped Statue, 1996, Offset lithograph, silscreen, polyethylene, twine, crayon, on cardboard, 86.4 × 66 cm
Christo JavacheffWrapped Statue, 1996, Offset lithograph, silscreen, polyethylene, twine, crayon, on cardboard, 86.4 × 66 cm
기댄 남자 A reclining man, Oil on canvas, 2017, 33.3 × 24.2 cm
Jeon Byung Koo (전병구)기댄 남자 A reclining man, Oil on canvas, 2017, 33.3 × 24.2 cm
The Leaf72160, 2007, copper wire, H160 × W160 cm
Jeong Kwang Ho (정광호)The Leaf72160, 2007, copper wire, H160 × W160 cm
The Pot, copper wire
Jeong Kwang Ho (정광호)The Pot, copper wire
Romantic Words, Oil pastel on panel, 2019, 162 × 130 cm
JIHI (지히)Romantic Words, Oil pastel on panel, 2019, 162 × 130 cm
Self-Portrait at the Tuileries, 2019, Pastel on paper, 40 x 30 cm
Chantal JoffeSelf-Portrait at the Tuileries, 2019, Pastel on paper, 40 x 30 cm
Self-Portrait at Tuileries, 2019, Oil on panel, 215 x 152 cm
Chantal JoffeSelf-Portrait at Tuileries, 2019, Oil on panel, 215 x 152 cm
Chest, 1968, Silkscreen print on fiberglass, 37 × 26 × 12 cm, ed. 2000
Allen JonesChest, 1968, Silkscreen print on fiberglass, 37 × 26 × 12 cm, ed. 2000
Spirtello (Scissors), 1990, Bronze, Brass, Wood, sculpture: 27.5 cm, overall : 29 × 18 cm, ed. 50
Allen JonesSpirtello (Scissors), 1990, Bronze, Brass, Wood, sculpture: 27.5 cm, overall : 29 × 18 cm, ed. 50
Untitled (S. 261- 270) , 1992, set of ten woodcuts printed in black, blue, purple, red, orange, yellow and green on Japanese paper, 58.4 × 78.1 cm(each), ed. 4/30 + 13 AP
Donald JuddUntitled (S. 261- 270) , 1992, set of ten woodcuts printed in black, blue, purple, red, orange, yellow and green on Japanese paper, 58.4 × 78.1 cm(each), ed. 4/30 + 13 AP
평양반닫이, 2015, 백골: 인조대리석, 장석: 백동, H140 × W210 × D45 cm
Jung Ku Ho (정구호)평양반닫이, 2015, 백골: 인조대리석, 장석: 백동, H140 × W210 × D45 cm
K
Hollow Earth, 2017, Wood, Glass, light, 152.4 × 152.4 × 22.8 cm
Glenn KainoHollow Earth, 2017, Wood, Glass, light, 152.4 × 152.4 × 22.8 cm
Keep Going, 2022, color on ceramic, pencil, acrylic, charcoal
KAPPAO (갑빠오)Keep Going, 2022, color on ceramic, pencil, acrylic, charcoal
Wedding Dress, 1993, Etching and aquatint in colors, 132.08 × 55.88 cm, ed. 60/75
Alex KatzWedding Dress, 1993, Etching and aquatint in colors, 132.08 × 55.88 cm, ed. 60/75
One Million Years, 1999, Artist's book in 2 bound volumes in slip-case, publishd in Brussels, 10.9 × 5.1 × 4.4 cm(each), ed. 570
On KawaraOne Million Years, 1999, Artist's book in 2 bound volumes in slip-case, publishd in Brussels, 10.9 × 5.1 × 4.4 cm(each), ed. 570
Poetic Country, 1997, Silkscreen on baked enamel road sign with bullet holes, 91.4 × 31.4 × 2.5 cm, ed. 60
Mike Kelley & Tony OurslerPoetic Country, 1997, Silkscreen on baked enamel road sign with bullet holes, 91.4 × 31.4 × 2.5 cm, ed. 60
Untitled(Green Curve), 1993, Lithograph in green, on Arches, 54.6 × 45.7 cm, ed. 5/40
Ellsworth KellyUntitled(Green Curve), 1993, Lithograph in green, on Arches, 54.6 × 45.7 cm, ed. 5/40
Bowling Ball, Bag and a Shirt, 1991, ed. 1/50
Mike KellyBowling Ball, Bag and a Shirt, 1991, ed. 1/50
Anti Mercator, 2010-2011, 9 min 45 sec, dimention variable
William KentridgeAnti Mercator, 2010-2011, 9 min 45 sec, dimention variable
Fire Flower, 2007, Acrylic, glass, painted steel, 130 × 120 × 30 cm
Kwon Ki Soo (권기수)Fire Flower, 2007, Acrylic, glass, painted steel, 130 × 120 × 30 cm
찰나 Chalna-A man & headphone CII, 2013, resin, steel, acrylic paint, wood board, 110 × 30 × 150 cm
Kwon Dae Hun (권대훈)찰나 Chalna-A man & headphone CII, 2013, resin, steel, acrylic paint, wood board, 110 × 30 × 150 cm
귀가 큰 아이/ A Blessed Child, pigment print, 2017, 36.4 × 53 cm, ed. 30/99
Kwon SooHyun (권수현)귀가 큰 아이/ A Blessed Child, pigment print, 2017, 36.4 × 53 cm, ed. 30/99
의자의 진화, 2009, Iron, 65 × 45 × 45 cm
Kim Kyounghwan (김경환)의자의 진화, 2009, Iron, 65 × 45 × 45 cm
Ruler No. 9, 2012, Mother of pearl paint on wood, H230 × W179 × D40 cm, ed. 1/3
Kim SeungJoo (김승주)Ruler No. 9, 2012, Mother of pearl paint on wood, H230 × W179 × D40 cm, ed. 1/3
뿔이 난 아이, 2022 , 조합토, 색유 1250도 산화소성, 테라시즐레타, 은, 수금, 41 × 22 × 77 cm
Kim Young Mi (김영미)뿔이 난 아이, 2022 , 조합토, 색유 1250도 산화소성, 테라시즐레타, 은, 수금, 41 × 22 × 77 cm
나무가 되어(애벌레), 2022, 조합토, 색유 1250도 산화소성 280×250×650mm
Kim Young Mi (김영미)나무가 되어(애벌레), 2022, 조합토, 색유 1250도 산화소성 280×250×650mm
Cling to a circle, 2018, Resin, 30 × 30 × 50 cm
Kim Yong Kyong (김용경)Cling to a circle, 2018, Resin, 30 × 30 × 50 cm
당기지마시오 (Don't Pull), 2014, Brass, 45 × 60 × 16 cm
Kim Inbai (김인배)당기지마시오 (Don't Pull), 2014, Brass, 45 × 60 × 16 cm
신의 자리_인산인해 8, Locations of God_Hordes of People 8, 2024, Acrylic, Mother of Pearl, Wood Panel, 88 x 132 x 5 cm
Kim Eunjin (김은진)신의 자리_인산인해 8, Locations of God_Hordes of People 8, 2024, Acrylic, Mother of Pearl, Wood Panel, 88 x 132 x 5 cm
Letter to her _Hope you are not lonesome, 2016, Embroidery on digital pigment print, 67 × 54 cm
Kim Jinhee (김진희)Letter to her _Hope you are not lonesome, 2016, Embroidery on digital pigment print, 67 × 54 cm
If You Go Away, 2008, Mamiya Pro645, 150mm, Fujicolor provia ISO 100, 90 × 120 cm, ed. 5/7
Kim Tae-kyun (김태균)If You Go Away, 2008, Mamiya Pro645, 150mm, Fujicolor provia ISO 100, 90 × 120 cm, ed. 5/7
동쪽 끝에서, 2019, C-print, 200 × 68 cm
Kim Tae-kyun (김태균)동쪽 끝에서, 2019, C-print, 200 × 68 cm
동쪽 끝에서, 2022, C-print, 80 × 15 cm
Kim Tae-kyun (김태균)동쪽 끝에서, 2022, C-print, 80 × 15 cm
Someone's Portrait (누군가의 초상), 2016, Photography on LED light, Half mirror, interactive censor, Wooden Frame, 47.7 × 57.7 × 42 cm, ed. 3/6
Kim Heewon (김희원)Someone's Portrait (누군가의 초상), 2016, Photography on LED light, Half mirror, interactive censor, Wooden Frame, 47.7 × 57.7 × 42 cm, ed. 3/6
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Aluminum, stuck sérigraphies, mirrors,blue neon, pedestal in skated steel, 140 × 32.9 × 32.9 cm
Peter Klasen17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Aluminum, stuck sérigraphies, mirrors,blue neon, pedestal in skated steel, 140 × 32.9 × 32.9 cm
Lenin, 1992, Set of four ceramic candlesticks, H25.4 × W15.2 × D7.6 cm (each)
Komar and MelamidLenin, 1992, Set of four ceramic candlesticks, H25.4 × W15.2 × D7.6 cm (each)
Bourgeois Bust, 1991, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Jeff KoonsBourgeois Bust, 1991, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Inflatable Flower and Bunny , (Tall white, Pink bunny), 1979, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Jeff KoonsInflatable Flower and Bunny , (Tall white, Pink bunny), 1979, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Inflatable Plastic Elephant, 1955, Mirror-polished stainless steel bo× with an Inflatable plastic elephant, Mirror: 101 × 71 × 6 cm, Elephant: 97 × 76 × 38 cm
Jeff KoonsInflatable Plastic Elephant, 1955, Mirror-polished stainless steel bo× with an Inflatable plastic elephant, Mirror: 101 × 71 × 6 cm, Elephant: 97 × 76 × 38 cm
Jim Beam Turner Train , 1986, Offset lithographs on Biber GS 300 G board, 70 × 100 cm, ed. 50 + 10 AP
Jeff KoonsJim Beam Turner Train , 1986, Offset lithographs on Biber GS 300 G board, 70 × 100 cm, ed. 50 + 10 AP
Michael Jackson and Bubbles, 1988, Offset lithographs on Biber GS 300 G board, 70 × 100 cm, ed. 50 + 10 AP
Jeff KoonsMichael Jackson and Bubbles, 1988, Offset lithographs on Biber GS 300 G board, 70 × 100 cm, ed. 50 + 10 AP
New Hoover Deluxe Shampoo Polishers, 1980, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Jeff KoonsNew Hoover Deluxe Shampoo Polishers, 1980, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
One Ball Total Equilibrium Tank, (Spalding DR J 241 series), 1985, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Jeff KoonsOne Ball Total Equilibrium Tank, (Spalding DR J 241 series), 1985, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Rabbit, 1986, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Jeff KoonsRabbit, 1986, Offset lithographs on Biber GS 300 G board, 100 × 70 cm, ed. 50 + 10 AP
Split-Rocker Vase, 2013, Fine Limoges porcelain, manufactured in France, produced by Bernardaud, 36 × 40 × 33 cm, ed. 3,500
Jeff KoonsSplit-Rocker Vase, 2013, Fine Limoges porcelain, manufactured in France, produced by Bernardaud, 36 × 40 × 33 cm, ed. 3,500
Scissors, 2004, Metal, glass, scissors, 65 × 45 × 14 cm, ed. 3/25
Jannis KounellisScissors, 2004, Metal, glass, scissors, 65 × 45 × 14 cm, ed. 3/25
Sewing Machine, 2004, Metal, glass, sewing machine, coat, 70 × 50 × 20 cm, ed. 1/25
Jannis KounellisSewing Machine, 2004, Metal, glass, sewing machine, coat, 70 × 50 × 20 cm, ed. 1/25
Figura Femenina II, bronze, 51 × 16 × 14 cm, ed. 1/7
Matias KrahnFigura Femenina II, bronze, 51 × 16 × 14 cm, ed. 1/7
566 / 491 c., 2019, Metallic pencil frottage on lithograph printed in metallix inks on Japanese paper, 29.7 × 42 cm, ed. 54/75
Gabriel Kuri566 / 491 c., 2019, Metallic pencil frottage on lithograph printed in metallix inks on Japanese paper, 29.7 × 42 cm, ed. 54/75
Penguin, 2011, Cloth, diving suit, 198 × 65 × 65 cm
Takashi KuribayashiPenguin, 2011, Cloth, diving suit, 198 × 65 × 65 cm
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirrors doubles cut and stuck faces, H20.5 × W20.5 × D20.5 cm
Yayoi Kusama17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirrors doubles cut and stuck faces, H20.5 × W20.5 × D20.5 cm
L
닭, 2011, Stainless Steel, Painting, 31 × 14 × 23 cm, Unique
Lee Geun Se (이근세)닭, 2011, Stainless Steel, Painting, 31 × 14 × 23 cm, Unique
닭, 2013, Stainless Steel, Painting, 31 × 14 × 23 cm, Unique
Lee Geun Se (이근세)닭, 2013, Stainless Steel, Painting, 31 × 14 × 23 cm, Unique
닭, 2013, Stainless Steel, Painting, 31 × 14 × 23 cm, Unique
Lee Geun Se (이근세)닭, 2013, Stainless Steel, Painting, 31 × 14 × 23 cm, Unique
무위지향마(無爲志向馬), 2014, FRP, Stainless Steel, 85 × 150 × 34 cm
Lee Geun Se (이근세)무위지향마(無爲志向馬), 2014, FRP, Stainless Steel, 85 × 150 × 34 cm
수면양(L), 2018, FRP, Iron, 32.5 × 21 × 26.5 cm
Lee Geun Se (이근세)수면양(L), 2018, FRP, Iron, 32.5 × 21 × 26.5 cm
수면양(XL), 2018, FRP, Iron, 42 × 57 × 37 cm
Lee Geun Se (이근세)수면양(XL), 2018, FRP, Iron, 42 × 57 × 37 cm
Jung(융), 2020, Oil painting on iron, 24.2 × 29 × 20 cm
Lee Geun Se (이근세)Jung(융), 2020, Oil painting on iron, 24.2 × 29 × 20 cm
구스타 융, 2021, Painting on Stainless Steel, 157.4 × 32.5 × 162.5 cm
Lee Geun Se (이근세)구스타 융, 2021, Painting on Stainless Steel, 157.4 × 32.5 × 162.5 cm
닭-우편함, 2011, 판금 후 페인팅, 154 × 63 × 30 cm, ed. 2/30
Lee Geun Se (이근세)닭-우편함, 2011, 판금 후 페인팅, 154 × 63 × 30 cm, ed. 2/30
닭-우편함, 2011, 판금 후 페인팅, 154 × 63 × 30 cm, ed. 2/30
Lee Geun Se (이근세)닭-우편함, 2011, 판금 후 페인팅, 154 × 63 × 30 cm, ed. 2/30
Untitled, Digital Archival Print, 100 × 74 cm
Lee Do-hyung (이도형)Untitled, Digital Archival Print, 100 × 74 cm
Mirror, 2019, Digital Archival Print, 40 × 55 cm
Lee Do-hyung (이도형)Mirror, 2019, Digital Archival Print, 40 × 55 cm
Mirror, 2019, Digital Archival Print, 45 × 43 cm
Lee Do-hyung (이도형)Mirror, 2019, Digital Archival Print, 45 × 43 cm
Icon - Audrey Hepburn, 2013, Acrylic, resin, crystal on canvas, 65.1 × 53 cm
Lee Dong-jae (이동재)Icon - Audrey Hepburn, 2013, Acrylic, resin, crystal on canvas, 65.1 × 53 cm
PCS, 2018, plastic ABS coated on white paint, 70 × 45 × 65 cm
Lee Byungchan (이병찬)PCS, 2018, plastic ABS coated on white paint, 70 × 45 × 65 cm
PCS, 2018, plastic ABS coated on white paint, 80 × 45 × 65 cm
Lee Byungchan (이병찬)PCS, 2018, plastic ABS coated on white paint, 80 × 45 × 65 cm
moved landscape (소금창고 22), 2021, Mixed Media, 25 × 25 cm
Lee Bu Kang (이부강)moved landscape (소금창고 22), 2021, Mixed Media, 25 × 25 cm
Trace Landscape, Mixed Media, 2018, 94 × 149 cm
Lee Bu Kang (이부강)Trace Landscape, Mixed Media, 2018, 94 × 149 cm
Trace Skyline22, 2020, Mixed Media, 50 × 23 cm
Lee Bu Kang (이부강)Trace Skyline22, 2020, Mixed Media, 50 × 23 cm
Moved landscape, 2021, Mixed Media, 20 x 20 cm
Lee Bu Kang (이부강)Moved landscape, 2021, Mixed Media, 20 x 20 cm
Window, 2015, LED screen, animation, H25.5 × W16.3 × D2.6 cm
Lee Jung Min (이정민)Window, 2015, LED screen, animation, H25.5 × W16.3 × D2.6 cm
Animal, 2020, Ceramic, 75(w) × 30(d) × 75(h) cm
Lee Hun Chung (이헌정)Animal, 2020, Ceramic, 75(w) × 30(d) × 75(h) cm
꽃을 생각하는 남자, 2020, Ceramic, 58(w) × 58(d) × 180(h) cm
Lee Hun Chung (이헌정)꽃을 생각하는 남자, 2020, Ceramic, 58(w) × 58(d) × 180(h) cm
섬(island), 2017, Ceramic, 80 × 240 × 120(H) cm, 45 × 60 × 100(H) cm, 55 × 120 × 470(H) cm, 60 × 73 ×40(H) cm
Lee Hun Chung (이헌정)섬(island), 2017, Ceramic, 80 × 240 × 120(H) cm, 45 × 60 × 100(H) cm, 55 × 120 × 470(H) cm, 60 × 73 ×40(H) cm
Forms Derived from a Rectangular Solid, 1990, 6 pieces from suite of 12 etchings and aquatints, plate: 39.1 × 54.5 cm, sheet: 50 × 66 cm, ed. 2/20
Sol LewittForms Derived from a Rectangular Solid, 1990, 6 pieces from suite of 12 etchings and aquatints, plate: 39.1 × 54.5 cm, sheet: 50 × 66 cm, ed. 2/20
Seascape (from collection 65), 1965, Color screenprint and die-cut collage, 33.6 × 63.1 × 9.1 cm, ed. 32/100
Roy LichtensteinSeascape (from collection 65), 1965, Color screenprint and die-cut collage, 33.6 × 63.1 × 9.1 cm, ed. 32/100
말-지붕, 2005, mixed media(wood, colors hanji), 202 × 270 × 22 cm
Lim Choong Sup (임충섭)말-지붕, 2005, mixed media(wood, colors hanji), 202 × 270 × 22 cm
Play, 2009, Porcelain, 5.4 × 22 × 12 cm, ed. 100
Jianhua LiuPlay, 2009, Porcelain, 5.4 × 22 × 12 cm, ed. 100
Bass Key, 2016, Weathered bamboo, steel rings and hooks, titan braid thread, leads and ceramic ball, 215 × 120 × 120 cm, 120 cm rotation diameter
Laurent Martin 'Lo'Bass Key, 2016, Weathered bamboo, steel rings and hooks, titan braid thread, leads and ceramic ball, 215 × 120 × 120 cm, 120 cm rotation diameter
Bystander / Day / Wings, Body and Dust / Bystander - The Classic Story Series , 2014, Charcoal, pencil, watercolor, mixed media (30 pieces)
Wei LuoBystander / Day / Wings, Body and Dust / Bystander - The Classic Story Series , 2014, Charcoal, pencil, watercolor, mixed media (30 pieces)
M
SIBI-SIB-BKR-26-1-1, 2020, Painting, Maker, Oil, Crayon, 18 × 14 cm
Ibuki MinamiSIBI-SIB-BKR-26-1-1, 2020, Painting, Maker, Oil, Crayon, 18 × 14 cm
This is a Piece of Cheese, 2003, Gouache on Panel, Marble, Bell Glass, 29.5 × 33 × 33 cm, ed. 300
Rene MagritteThis is a Piece of Cheese, 2003, Gouache on Panel, Marble, Bell Glass, 29.5 × 33 × 33 cm, ed. 300
Russian Doll, 1928-1930, Papier-mache sculpture, (handmade in Thailand exclusively for the Guggenheim Museum), 143 × 38 × 29.5 cm, 15 × 10 × 47.5 cm
Kazimir MalevichRussian Doll, 1928-1930, Papier-mache sculpture, (handmade in Thailand exclusively for the Guggenheim Museum), 143 × 38 × 29.5 cm, 15 × 10 × 47.5 cm
Clockwork, 2017, LCD screen, iron, 76 × 49 × 21.5 cm
MarckClockwork, 2017, LCD screen, iron, 76 × 49 × 21.5 cm
Loop D'Loop, 1999, Electrical hardware, fluorescent light fixture, black light bulb, 152.4 × 60.96 × 35.5 cm, ed. 14/15, 2 AP
Matthew McCaslinLoop D'Loop, 1999, Electrical hardware, fluorescent light fixture, black light bulb, 152.4 × 60.96 × 35.5 cm, ed. 14/15, 2 AP
Drum & Bass Lafayette, 2005, Black shelves, black racks, metal, towel, vinyl , 100 × 100 × 23 cm, ed. 1/75
Mathieu MercierDrum & Bass Lafayette, 2005, Black shelves, black racks, metal, towel, vinyl , 100 × 100 × 23 cm, ed. 1/75
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Small soldiers in plastic stuck on a mirror plywood on drinks, framework in red velour, 56 × 42 × 10 cm
Antoni Miralda17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Small soldiers in plastic stuck on a mirror plywood on drinks, framework in red velour, 56 × 42 × 10 cm
여름풍경 Summer Landscape, 2012, Ink on paper, 26 × 18.2 cm
Moon Sungsic (문성식)여름풍경 Summer Landscape, 2012, Ink on paper, 26 × 18.2 cm
여름풍경 Summer Landscape, 2012, Ink on paper, 26 × 18.2 cm
Moon Sungsic (문성식)여름풍경 Summer Landscape, 2012, Ink on paper, 26 × 18.2 cm
和(화)2, 1987, Bronze, 100 × 20 × 65 cm
Moonshin (문신, 文信)和(화)2, 1987, Bronze, 100 × 20 × 65 cm
Untitled Blunted Red, 2018, Drop cloth on wooden panel with acrylic paint, tacks & leather hinges, 86.4 × 76.2 × 12.7 cm
Robert MorelandUntitled Blunted Red, 2018, Drop cloth on wooden panel with acrylic paint, tacks & leather hinges, 86.4 × 76.2 × 12.7 cm
Hilum (Door Cycle), 2006, Polyurethane, CNC-milled, lacquered white, on a wood door panel , 196 × 88 × 4.8 cm, ed. 15
Paul MorrisonHilum (Door Cycle), 2006, Polyurethane, CNC-milled, lacquered white, on a wood door panel , 196 × 88 × 4.8 cm, ed. 15
That's the unfortunate thing, 2022, charcoal, oil, pastel, acrylic and spray paint on canvas, 210 × 170 cm
George Morton-ClarkThat's the unfortunate thing, 2022, charcoal, oil, pastel, acrylic and spray paint on canvas, 210 × 170 cm
The Favoured Refugees, 2021, Mixed media
George Morton-ClarkThe Favoured Refugees, 2021, Mixed media
2021, Mixed media
George Morton-Clark2021, Mixed media
N
Sleepless Night (Sitting), 2007, mixed media, 30 × 16 × 15 cm
Yoshitomo NaraSleepless Night (Sitting), 2007, mixed media, 30 × 16 × 15 cm
Untitled I - From the environmental, 2018, Oil on Canvas, 178 × 127 cm
Nicky NodjoumiUntitled I - From the environmental, 2018, Oil on Canvas, 178 × 127 cm
Daily Fiction series (30works(옷걸이), 6works(바지걸이)), 2016, 36 drawings(Water color on paper), Steel frame, bags, Printed PVC mats, dimension variable
Noh Sang-ho (노상호)Daily Fiction series (30works(옷걸이), 6works(바지걸이)), 2016, 36 drawings(Water color on paper), Steel frame, bags, Printed PVC mats, dimension variable
O
Classic No. 1915, 2010, Single channel video looped, video projected onto canvas, separate furniture set (table, poster frame, shoes, books, postcards), 141 × 250 × 3 cm, ed. 1/5
Oh Yongseok (오용석)Classic No. 1915, 2010, Single channel video looped, video projected onto canvas, separate furniture set (table, poster frame, shoes, books, postcards), 141 × 250 × 3 cm, ed. 1/5
HANS, 1987, Chromomeric print, 50 × 50 cm, ed. 78/300
Erwin OlafHANS, 1987, Chromomeric print, 50 × 50 cm, ed. 78/300
Keyhole 1, 2012, Chromomeric print, ed. 2/2, 113 × 84 cm
Erwin OlafKeyhole 1, 2012, Chromomeric print, ed. 2/2, 113 × 84 cm
The Keyhole, 2012, 10 photographs, 2 videos, ed. 2/3
Erwin OlafThe Keyhole, 2012, 10 photographs, 2 videos, ed. 2/3
Double-Nose/Purse/Punching Bag/, Ashtray (Gemini 257-8), 1970, Leather and Bronze Punching Bag with Redwood Chips , and Wooden Discs, 38.2 × 53.0 × 17.9 cm, Ed. 67/75 + 3 AP
Claes Oldenberg Double-Nose/Purse/Punching Bag/, Ashtray (Gemini 257-8), 1970, Leather and Bronze Punching Bag with Redwood Chips , and Wooden Discs, 38.2 × 53.0 × 17.9 cm, Ed. 67/75 + 3 AP
Tea Bag, 1966, Screenprint in Colors on Vinyl, Felt, Ple×iglass with Rayon , Cord and Laminated Vacuum Formed Vinyl, 99 × 71 × 9 cm, ed. 72/125
Claes Oldenberg Tea Bag, 1966, Screenprint in Colors on Vinyl, Felt, Ple×iglass with Rayon , Cord and Laminated Vacuum Formed Vinyl, 99 × 71 × 9 cm, ed. 72/125
Room(7), 2011, Lambdaprint on Dibond, 180 × 3.5 × 100 cm
Hans Op de BeeckRoom(7), 2011, Lambdaprint on Dibond, 180 × 3.5 × 100 cm
Sleeping Girl, 2017, polyester, aluminium, paint, 210 × 100 × 76 cm
Hans Op de BeeckSleeping Girl, 2017, polyester, aluminium, paint, 210 × 100 × 76 cm
Luc and Ludivine Get Married (Pair 02), 2007, From a series of 16 pairs of laser-cut black paper silhouettes, dry-mounted onto Clairefontaine Mayo white paper, oval frames, 45 × 40 × 7.5 cm(each), ed. 10 + 1AP
Julian OpieLuc and Ludivine Get Married (Pair 02), 2007, From a series of 16 pairs of laser-cut black paper silhouettes, dry-mounted onto Clairefontaine Mayo white paper, oval frames, 45 × 40 × 7.5 cm(each), ed. 10 + 1AP
Luc and Ludivine Get Married (Pair 06), 2007, From a series of 16 pairs of laser-cut black paper silhouettes, dry-mounted onto Clairefontaine Mayo white paper, oval frames, 45 × 40 × 7.5 cm(each), ed. 2/10 + 1AP
Julian OpieLuc and Ludivine Get Married (Pair 06), 2007, From a series of 16 pairs of laser-cut black paper silhouettes, dry-mounted onto Clairefontaine Mayo white paper, oval frames, 45 × 40 × 7.5 cm(each), ed. 2/10 + 1AP
Maria(2), 2011, Inkjet prints on Epson Premium Semigloss photo paper, dry-mounted to aluminium, 128.1 × 90.6 cm, ed. 10/40
Julian OpieMaria(2), 2011, Inkjet prints on Epson Premium Semigloss photo paper, dry-mounted to aluminium, 128.1 × 90.6 cm, ed. 10/40
Mirjam, 2011, Inkjet prints on Epson Premium Semigloss photo paper, dry-mounted to aluminium, 128.1 × 90.6 cm, ed. 10/40
Julian OpieMirjam, 2011, Inkjet prints on Epson Premium Semigloss photo paper, dry-mounted to aluminium, 128.1 × 90.6 cm, ed. 10/40
View From My Bedroom Window, 2007, Continuous computer animation on 264mm LCD screen, 24.8 × 30.5 × 3.8 cm, ed. 300
Julian OpieView From My Bedroom Window, 2007, Continuous computer animation on 264mm LCD screen, 24.8 × 30.5 × 3.8 cm, ed. 300
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Glass blown and silver-plated, painted wooden frame, 82 × 64 × 4 cm
Jean-Michel Othoniel17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Glass blown and silver-plated, painted wooden frame, 82 × 64 × 4 cm
Untitled, 2011, Acrylic, ink, graphite and 1LCD screen on panel, 102 × 36.2 × 3.8 cm
Tony OurslerUntitled, 2011, Acrylic, ink, graphite and 1LCD screen on panel, 102 × 36.2 × 3.8 cm
Untitled, 1960s, Pottery, ⌀ 29 cm
Manit OzèreUntitled, 1960s, Pottery, ⌀ 29 cm
P
Born Again, 1991, Patinated bronze of a Kuba television w.3 television monitors, antennae, plug, 59 × 48 × 15 cm
Paik Nam-June (백남준)Born Again, 1991, Patinated bronze of a Kuba television w.3 television monitors, antennae, plug, 59 × 48 × 15 cm
Fin de Siecle Man(세기말의 사람), 1991, mixed media, 62 × 43 × 126 cm
Paik Nam-June (백남준)Fin de Siecle Man(세기말의 사람), 1991, mixed media, 62 × 43 × 126 cm
Video Sonata Op.56, 1995, Silkscreen and collage on aluminum, 45 × 56 × 4 cm, ed. 19/40
Paik Nam-June (백남준)Video Sonata Op.56, 1995, Silkscreen and collage on aluminum, 45 × 56 × 4 cm, ed. 19/40
Video Sonata Op.57, 1995, Silkscreen and collage on aluminum, 45 × 56 × 4 cm, ed. 18/40
Paik Nam-June (백남준)Video Sonata Op.57, 1995, Silkscreen and collage on aluminum, 45 × 56 × 4 cm, ed. 18/40
Die Vorstellung, 2-tlg (The Idea, 2-pieces), 2011, Oil on canvas, 200 × 270 cm
Jochen PankrathDie Vorstellung, 2-tlg (The Idea, 2-pieces), 2011, Oil on canvas, 200 × 270 cm
Abstract Philosophers, 2018, Oil and acrylic on wood, signed and dated unique, 40 x 30 cm
Jochen PankrathAbstract Philosophers, 2018, Oil and acrylic on wood, signed and dated unique, 40 x 30 cm
Abstract Philosophers,2018, Oil and acrylic on wood, signed and dated unique, 40 x 30 cm
Jochen PankrathAbstract Philosophers,2018, Oil and acrylic on wood, signed and dated unique, 40 x 30 cm
Width(13), 2016, Oil on Canvas, 15.5 × 22 cm
Park Kiwon (박기원)Width(13), 2016, Oil on Canvas, 15.5 × 22 cm
Untitled, 2013, mixed media / 7 pieces, 16 × 10 cm(each)
Park Seung Soon (박승순)Untitled, 2013, mixed media / 7 pieces, 16 × 10 cm(each)
무제, 20 × 20 cm (Ther first collection of Koohouse Museum)
Park Sookeun (박수근)무제, 20 × 20 cm (Ther first collection of Koohouse Museum)
Parktaeria(big tree skyblue), 2024, Acrylic on canvas,193.3 x 130.3 cm
Park Taehoon (박태훈)Parktaeria(big tree skyblue), 2024, Acrylic on canvas,193.3 x 130.3 cm
Greene Street Chair, 1984, Made by Vitra, chrome-plated steel rods, black and red polyester, 93 × 60 × 54 cm
Gaetano PesceGreene Street Chair, 1984, Made by Vitra, chrome-plated steel rods, black and red polyester, 93 × 60 × 54 cm
Picasso and the Human Comedy, 1954, lithographic boards, 35 × 26 cm
Pablo PicassoPicasso and the Human Comedy, 1954, lithographic boards, 35 × 26 cm
CHOUETTE FEMME (Owl Woman), 1951, White Earthenware Turned Vase, with Black Engobe and Partial Brushed Glaze, 31.5 × 15 × 21 cm, ed. of 500
Pablo PicassoCHOUETTE FEMME (Owl Woman), 1951, White Earthenware Turned Vase, with Black Engobe and Partial Brushed Glaze, 31.5 × 15 × 21 cm, ed. of 500
Oiseau no.82, 1963, Madoura Ceramic Plate, ⌀ 25 cm
Pablo PicassoOiseau no.82, 1963, Madoura Ceramic Plate, ⌀ 25 cm
PICHET ESPAGNOL (Spanish Pitcher), 1954, Madoura Turned Pitcher of White Earthenware Clay with Decoration in Engobes (blue, black), Knife Engraved with Glaze inside, 22.5 × 12 × 25 cm, ed. 300
Pablo PicassoPICHET ESPAGNOL (Spanish Pitcher), 1954, Madoura Turned Pitcher of White Earthenware Clay with Decoration in Engobes (blue, black), Knife Engraved with Glaze inside, 22.5 × 12 × 25 cm, ed. 300
PICHET GRAVÉ GRIS, (Grey Engraved Pitcher), 1954, White Earthenware Turned Pitcher, Painted in Black, White and Grey, 27.9 × 25.4 × 17.8 cm, ed. 500
Pablo PicassoPICHET GRAVÉ GRIS, (Grey Engraved Pitcher), 1954, White Earthenware Turned Pitcher, Painted in Black, White and Grey, 27.9 × 25.4 × 17.8 cm, ed. 500
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror without tain, photographic circulation enlightened by three neons, framework paints, 70 × 76 × 7 cm
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror without tain, photographic circulation enlightened by three neons, framework paints, 70 × 76 × 7 cm
Q
Untitled 09, from Winter Garden series, 2004, Pigment print, 84 × 124 cm, ed. 53/59
Marc QuinnUntitled 09, from Winter Garden series, 2004, Pigment print, 84 × 124 cm, ed. 53/59
R
Chiquita Banana, 2008, polychromatic resin, painted, ed. 4/4, 86 × 50 × 44 cm
Mel RamosChiquita Banana, 2008, polychromatic resin, painted, ed. 4/4, 86 × 50 × 44 cm
Cardbird IV (from Cardbird Series), 1971, Offset lithograph and screenprint in colors with collage of tape on corrugated cardboard, 117 × 117 cm, ed. 75
Robert RauschenbergCardbird IV (from Cardbird Series), 1971, Offset lithograph and screenprint in colors with collage of tape on corrugated cardboard, 117 × 117 cm, ed. 75
Christmas, 1977, Offset lithograph in colors on wove paper, 17.1 × 11.5 cm, ed. 58/150
Robert Rauschenberg Christmas, 1977, Offset lithograph in colors on wove paper, 17.1 × 11.5 cm, ed. 58/150
Horsefeathers Thirteen-IV, from Horsefeathers Thirteen Series (G.424), 1972, Offset lithograph, screen print, pochoir, collage and embossing in colors on Angoumois à la Main, 44.8 × 38.1 cm, ed. 89/89 + 12 AP
Robert Rauschenberg Horsefeathers Thirteen-IV, from Horsefeathers Thirteen Series (G.424), 1972, Offset lithograph, screen print, pochoir, collage and embossing in colors on Angoumois à la Main, 44.8 × 38.1 cm, ed. 89/89 + 12 AP
Hermaphrodite, 1975, Bronze, 37 × 11 × 7 cm, ed. 350
Man RayHermaphrodite, 1975, Bronze, 37 × 11 × 7 cm, ed. 350
Pot Jaune, 1968-2004, Painted resin,100 × 90 cm, ed. 5/8
Jean-Pierre RaynaudPot Jaune, 1968-2004, Painted resin,100 × 90 cm, ed. 5/8
Pot Rouge, 1999, Painted resin, tile, 40.61 × 69.34 × 29.24 cm, Limited edition
Jean-Pierre RaynaudPot Rouge, 1999, Painted resin, tile, 40.61 × 69.34 × 29.24 cm, Limited edition
Dazzle Sculpture Summer (from Dazzle Sculptures Seasons), 2014, Watercolor on paper, wood plinth, Sculpture: 180 × 35 × 35 cm, Painting: 200 × 200 cm
Tobias RehbergerDazzle Sculpture Summer (from Dazzle Sculptures Seasons), 2014, Watercolor on paper, wood plinth, Sculpture: 180 × 35 × 35 cm, Painting: 200 × 200 cm
Weghängung I-V, 2001, Laser cut acrylic glass, polyurethane, wood, 42 × 42 × 40 cm, ed. 12
Tobias RehbergerWeghängung I-V, 2001, Laser cut acrylic glass, polyurethane, wood, 42 × 42 × 40 cm, ed. 12
The Flesh and the Book, 2013, 4-channel video, dimension variable, ed. 2/5
Rhee Jaye (이재이)The Flesh and the Book, 2013, 4-channel video, dimension variable, ed. 2/5
Blattecke (Butin 8), 1967, Offset lithograph on wove paper, 23.3 × 17.4 cm, ed. 75/739
Gerhard RichterBlattecke (Butin 8), 1967, Offset lithograph on wove paper, 23.3 × 17.4 cm, ed. 75/739
Big Mind Sky, 2017, Neon, Ple×iglas, translucent foil, aluminum, 330.5 × 920.5 × 12.5 cm, ed. 2 + 1 AP
Ugo RondinoneBig Mind Sky, 2017, Neon, Ple×iglas, translucent foil, aluminum, 330.5 × 920.5 × 12.5 cm, ed. 2 + 1 AP
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on paper plywood on polite steel, framework drinks, 150 × 45 × 0.5 cm
Mimmo Rotella17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on paper plywood on polite steel, framework drinks, 150 × 45 × 0.5 cm
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Aluminum cut, serigraphie and painted, mirror in polite steel , 39 × 32 cm
Rotraut17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Aluminum cut, serigraphie and painted, mirror in polite steel , 39 × 32 cm
S
Lady with Handbag, 2000, Painted polyester resin, 63 × 36 × 15 cm, ed. 47/150
Niki de Saint PhalleLady with Handbag, 2000, Painted polyester resin, 63 × 36 × 15 cm, ed. 47/150
L'arbre de Vie, 1991, Metal, polyester painted by hand, 64 × 48 cm
Niki de Saint PhalleL'arbre de Vie, 1991, Metal, polyester painted by hand, 64 × 48 cm
L'oiseau Amoureux, 2000, Painted polyester resin, cermaic vase, 60 × 50 × 22 cm, ed. 32/150
Niki de Saint PhalleL'oiseau Amoureux, 2000, Painted polyester resin, cermaic vase, 60 × 50 × 22 cm, ed. 32/150
Mother and Child, 2000, Hand-painted polyester, 143 × 175 × 82 cm, ed. 17/20
Niki de Saint PhalleMother and Child, 2000, Hand-painted polyester, 143 × 175 × 82 cm, ed. 17/20
Hybrid Semi-Social Solitary Instrument Aoede 761.41 Built By A Solo Cyrtophora Citricola - Two Weeks And A Solo Tegenaria Domestica - Four Weeks, 2016, Spider silk, ink, carbon fibre frame), 37.5 × 38.5 × 28.5 cm(interior dimensions)
Tomas SaracenoHybrid Semi-Social Solitary Instrument Aoede 761.41 Built By A Solo Cyrtophora Citricola - Two Weeks And A Solo Tegenaria Domestica - Four Weeks, 2016, Spider silk, ink, carbon fibre frame), 37.5 × 38.5 × 28.5 cm(interior dimensions)
Solitary Mapping of Triton 5.876 854 07 By A Solo Linyphiidae Sp. - Three Weeks, 2016, Spider silk, ink, fi×ative, archival paper, Spinnenseide, Tinte, Fi×iermittel, Archivpapier, 24.5 × 24.5 cm (TS291)
Tomas SaracenoSolitary Mapping of Triton 5.876 854 07 By A Solo Linyphiidae Sp. - Three Weeks, 2016, Spider silk, ink, fi×ative, archival paper, Spinnenseide, Tinte, Fi×iermittel, Archivpapier, 24.5 × 24.5 cm (TS291)
Untitled (Door Cycle), 2006, Screenprint (glossy black) on white painted wood door panel, 200 × 90 × 4 cm, ed. 15
Wilhelm SasnalUntitled (Door Cycle), 2006, Screenprint (glossy black) on white painted wood door panel, 200 × 90 × 4 cm, ed. 15
Danger Dirty Data, 2021, Silkscreen print in two colors on archival paper, 16 × 22 cm, ed.128/700
Julia ScherDanger Dirty Data, 2021, Silkscreen print in two colors on archival paper, 16 × 22 cm, ed.128/700
Subway Directions To My House, 2009, Marker, prismar color on paper, 130 × 59.7 cm
Michael ScogginsSubway Directions To My House, 2009, Marker, prismar color on paper, 130 × 59.7 cm
Classical Still Life, 1990, Porcelain, glaze, 34.5 × 52 × 30.5 cm, ed. 95
George SegalClassical Still Life, 1990, Porcelain, glaze, 34.5 × 52 × 30.5 cm, ed. 95
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror and serigraphie on cut aluminum 65 × 76 × 0.5 cm
Antonio Segui17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror and serigraphie on cut aluminum 65 × 76 × 0.5 cm
황실의 품위 The Dignity of the Imperial Household-계명지조(鷄鳴之助), 2016, Gold foils copper foils gold particles mineral color ink on Korean paper, 73 × 53 cm
Seo soo young (서수영)황실의 품위 The Dignity of the Imperial Household-계명지조(鷄鳴之助), 2016, Gold foils copper foils gold particles mineral color ink on Korean paper, 73 × 53 cm
Untitled, 1981, Screenprint on Japon, signed and dated in pencil Numbered 'PP I/III‘ , ed. 24 + 5 AP
Joel ShapiroUntitled, 1981, Screenprint on Japon, signed and dated in pencil Numbered 'PP I/III‘ , ed. 24 + 5 AP
Market Monday, 2017, acyrlic paint on canvas, 198.1 × 350.5 cm
Shelby and SandyMarket Monday, 2017, acyrlic paint on canvas, 198.1 × 350.5 cm
판화 10점, Edition 1/20 - 10/20, 61 x 107 cm
Shelby and Sandy판화 10점, Edition 1/20 - 10/20, 61 x 107 cm
There Is No Essence - Buddha, 2013, Paper, urethane clear on paper, 50 × 50 × 50 cm
Shin Ho Yoon (신호윤)There Is No Essence - Buddha, 2013, Paper, urethane clear on paper, 50 × 50 × 50 cm
Head, 1995, Ceramic, H30 × W28 × D27 cm
Shin Sang Ho (신상호)Head, 1995, Ceramic, H30 × W28 × D27 cm
무제, 1990 mixed media on paper collage 163×99.5cm
Shin SungHy무제, 1990 mixed media on paper collage 163×99.5cm
Wall-Board, 2005, Wood, resin, 60 × 42 cm
Willi SiberWall-Board, 2005, Wood, resin, 60 × 42 cm
Aviso Publico / Public Notice (Door Cycle), 2006, Metal sign (cast aluminum relief) on galvanized iron door with hardware, 198.5 × 98 × 12 cm, ed. 15
Santiago SierraAviso Publico / Public Notice (Door Cycle), 2006, Metal sign (cast aluminum relief) on galvanized iron door with hardware, 198.5 × 98 × 12 cm, ed. 15
Ballerina (Stretching Left/Right), 2000, etching, engraving, aquatint and collage of tissue paper and glitter on Somerset, 76.2 × 55.88 cm(each), ed. 1/24
Kiki SmithBallerina (Stretching Left/Right), 2000, etching, engraving, aquatint and collage of tissue paper and glitter on Somerset, 76.2 × 55.88 cm(each), ed. 1/24
Crystals, 2000, Aquatint and Etching on Paper, 22.9 × 17.8 cm (Plate), 43.2 × 35.6 cm(Sheet), Ed. 9/24
Kiki SmithCrystals, 2000, Aquatint and Etching on Paper, 22.9 × 17.8 cm (Plate), 43.2 × 35.6 cm(Sheet), Ed. 9/24
Her Bouquet, 2007-2008, ink on Nepal paper with glass glitter, lithographic crayon and silk tissue; oil paint on mouth-blown clear antique glass with white and yellow gold leaf, two works on Nepal paper: 186.7 cm × 217.2 cm and 190.5 cm × 218.4 cm, three glass panels: 60 cm × 50.2 cm(each)
Kiki SmithHer Bouquet, 2007-2008, ink on Nepal paper with glass glitter, lithographic crayon and silk tissue; oil paint on mouth-blown clear antique glass with white and yellow gold leaf, two works on Nepal paper: 186.7 cm × 217.2 cm and 190.5 cm × 218.4 cm, three glass panels: 60 cm × 50.2 cm(each)
Ich bin Hungrig, 1999, Silkscreen and hand painting, on antiqued mirrored glass, 58 × 45 × 0.5 cm, ed. 99
Kiki SmithIch bin Hungrig, 1999, Silkscreen and hand painting, on antiqued mirrored glass, 58 × 45 × 0.5 cm, ed. 99
Untitled: Flower Farts, 2004, Set of five postcards sized Iris prints with tissue collage, 13 × 18 cm(each)
Kiki SmithUntitled: Flower Farts, 2004, Set of five postcards sized Iris prints with tissue collage, 13 × 18 cm(each)
여름방학, 2022, mixed media on canvas, 73 × 91 cm
Gina Sohn (지나 손)여름방학, 2022, mixed media on canvas, 73 × 91 cm
배변의 기술, 2010, 철에 채색, 35 × 55 × 25 cm, ed. 4/5
Son HyunOok (손현욱)배변의 기술, 2010, 철에 채색, 35 × 55 × 25 cm, ed. 4/5
Usefulness of Uselessness No.14, 2017, old wooden windows, mirror, mirror panel, glass, 134 × 111.5 cm
Song DongUsefulness of Uselessness No.14, 2017, old wooden windows, mirror, mirror panel, glass, 134 × 111.5 cm
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Srigraphie on mirror and on plexiglass, 50 × 50 × 5 cm
Jesus Rafael Soto17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Srigraphie on mirror and on plexiglass, 50 × 50 × 5 cm
Untitled (from the Jai-Alai series), 1969, Painted metal rods, nylon strings, plexiglass (2 pieces), 78 × 35.5 × 15 cm(each), ed. 300
Jesus-Rafael SotoUntitled (from the Jai-Alai series), 1969, Painted metal rods, nylon strings, plexiglass (2 pieces), 78 × 35.5 × 15 cm(each), ed. 300
Egplosis, 1996, Lithograph, Etching, Aquatint, Stamping on Paper, 65.4 cm diameter, ed. 36 Relief
Frank StellaEgplosis, 1996, Lithograph, Etching, Aquatint, Stamping on Paper, 65.4 cm diameter, ed. 36 Relief
Mysterious Bird of Ulieta, 1977, Offset Lithograph and Screenprint in Colors on Arches 88 Mould-made Paper, 83.5 × 114 cm, ed. 3/50
Frank StellaMysterious Bird of Ulieta, 1977, Offset Lithograph and Screenprint in Colors on Arches 88 Mould-made Paper, 83.5 × 114 cm, ed. 3/50
Untitled, Unknown, Bronze, 35 × 56 × 30 cm
Frank StellaUntitled, Unknown, Bronze, 35 × 56 × 30 cm
Outside2, 2015, mixed media(epo×y clay, mirror, paper board, wood, pictures of past work, lighting system), D54 × W32.5 × H173 cm
Kenji SugiyamaOutside2, 2015, mixed media(epo×y clay, mirror, paper board, wood, pictures of past work, lighting system), D54 × W32.5 × H173 cm
Gate-Small, 2003, Silk, stainless steel, tube, 326.5 × 211.5 × 100 cm, ed. 2/3
Suh Do-Ho (서도호)Gate-Small, 2003, Silk, stainless steel, tube, 326.5 × 211.5 × 100 cm, ed. 2/3
Tangled Man, 2019, Thread embedded in handmade cotton paper, 206 × 305 × 7 cm
Suh Do-Ho (서도호)Tangled Man, 2019, Thread embedded in handmade cotton paper, 206 × 305 × 7 cm
Auf großer Reise(On a Big Trip), 2007, Bronze casting, 21 × 11 × 11 cm, ed. 7/12
Tamara SuhrAuf großer Reise(On a Big Trip), 2007, Bronze casting, 21 × 11 × 11 cm, ed. 7/12
Made In China, 2007, Synthetic resin, baked lacquer (3 pieces), 87 × 61 × 33.7 cm, White: ed. 23/150, Pink: ed. 70/150, Black: ed. 30/150
Jianguo SuiMade In China, 2007, Synthetic resin, baked lacquer (3 pieces), 87 × 61 × 33.7 cm, White: ed. 23/150, Pink: ed. 70/150, Black: ed. 30/150
저수지 근방, 2023, oil pastel, oil stick, Acrylic oil on canvas, 202.5×171cm
Gina Sohn저수지 근방, 2023, oil pastel, oil stick, Acrylic oil on canvas, 202.5×171cm
VCD「ZERO」by ARUTA SOUP × MEDICOM TOY, 2023, PVC
Aruta SoupVCD「ZERO」by ARUTA SOUP × MEDICOM TOY, 2023, PVC
T
A Very Difficult Game Indeed, 2006, Pigmented digital print, 55.88 × 55.88 cm, ed. 2/10
Maggie TaylorA Very Difficult Game Indeed, 2006, Pigmented digital print, 55.88 × 55.88 cm, ed. 2/10
Boys With Thinking Caps, 2004, Pigmented digital print, 55.88 × 55.88 cm, ed. 2/10
Maggie TaylorBoys With Thinking Caps, 2004, Pigmented digital print, 55.88 × 55.88 cm, ed. 2/10
Moth Dancer, 2004, Pigmented digital print, 55.88 × 55.88 cm, ed. 3/10
Maggie TaylorMoth Dancer, 2004, Pigmented digital print, 55.88 × 55.88 cm, ed. 3/10
Bag Sticker, 2000, Screenprint on vinyl, 57 × 50 cm, ed. 80/100
Gavin TurkBag Sticker, 2000, Screenprint on vinyl, 57 × 50 cm, ed. 80/100
Atlantis, Medium Rectangle Glass, 2019, L.E.D. light, etched glass and shallow space, 2h 30min, 142.2 × 185.4 cm
James TurrellAtlantis, Medium Rectangle Glass, 2019, L.E.D. light, etched glass and shallow space, 2h 30min, 142.2 × 185.4 cm
U
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror stuck on panel and broken with a nail by the artist, 48 × 41 × 18 cm
Günther Uecker17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror stuck on panel and broken with a nail by the artist, 48 × 41 × 18 cm
V
Leo (Castelli), 1992-1993, Painted and glazed ceramic, 20.5 × 22 × 14 cm
Meyer VaismanLeo (Castelli), 1992-1993, Painted and glazed ceramic, 20.5 × 22 × 14 cm
Ellipse, 2006, Painted steel, 58.5 × 65.5 × 46 cm, ed. 1/30
Felice VariniEllipse, 2006, Painted steel, 58.5 × 65.5 × 46 cm, ed. 1/30
Hexa5, 1988, silkscreen, 75 × 100 cm
Victor VasarelyHexa5, 1988, silkscreen, 75 × 100 cm
Soyang, 2015, Stainless steel shower heads, handmade woolen crochet, te×tile, ornaments, polyester, H250 × W105 × D60 cm
Joana VasconcelosSoyang, 2015, Stainless steel shower heads, handmade woolen crochet, te×tile, ornaments, polyester, H250 × W105 × D60 cm
The Weird of Oz, 2010, handmade woollen crochet, fabrics, ornaments, polyester, staff, MDF, iron, 260 × 180 × 180 cm
Joana VasconcelosThe Weird of Oz, 2010, handmade woollen crochet, fabrics, ornaments, polyester, staff, MDF, iron, 260 × 180 × 180 cm
Mobile (Le Corbusier), 2013, Alumium, aluminum tube, resin, carbon fiber, halyard, 350 × 740 cm
Xavier VeilhanMobile (Le Corbusier), 2013, Alumium, aluminum tube, resin, carbon fiber, halyard, 350 × 740 cm
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror and skated steel, 77 × 63 × 10 cm
Bernar Venet17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Mirror and skated steel, 77 × 63 × 10 cm
Chaise, 1990, Torch-cut steel with wax, 74 × 36.5 × 36.5 cm
Bernar VenetChaise, 1990, Torch-cut steel with wax, 74 × 36.5 × 36.5 cm
Secrétaire, 1990, Torch-cut steel with wax, 74 × 110 × 70 cm
Bernar VenetSecrétaire, 1990, Torch-cut steel with wax, 74 × 110 × 70 cm
Winter Stories 30, 2007, Digital c-print on Fuji crystal archive paper, 101.6 × 127 cm, ed. 1/5
Paolo VenturaWinter Stories 30, 2007, Digital c-print on Fuji crystal archive paper, 101.6 × 127 cm, ed. 1/5
Winter Stories 44, 2007, Digital c-print on Fuji crystal archive paper, 101.6 × 76.2 cm, ed. 1/10
Paolo VenturaWinter Stories 44, 2007, Digital c-print on Fuji crystal archive paper, 101.6 × 76.2 cm, ed. 1/10
Cultural Ties (Project started by Kapil Jariwala, owner of Jariwala/westzone Gallery in London, 43 out of 78 cultural ties designed by leading contemporary artists from around the world, hand-made by the Ratti silk mills in Como, Italy, boxed in a specially made acrylic case and a guarantee card with serial number), H45.3 × W15.5 × D4.5 cm(each), ed. 300
Various ArtistsCultural Ties (Project started by Kapil Jariwala, owner of Jariwala/westzone Gallery in London, 43 out of 78 cultural ties designed by leading contemporary artists from around the world, hand-made by the Ratti silk mills in Como, Italy, boxed in a specially made acrylic case and a guarantee card with serial number), H45.3 × W15.5 × D4.5 cm(each), ed. 300
W
The Bell Jar, Sylvia Plath, 2013, Archival pigment print with braille, 54 × 125 cm
Catherine WagnerThe Bell Jar, Sylvia Plath, 2013, Archival pigment print with braille, 54 × 125 cm
The Grapes of Wrath, John Steinbeck, 2013, Archival Pigment Print with Braille, 54 × 125 cm
Catherine WagnerThe Grapes of Wrath, John Steinbeck, 2013, Archival Pigment Print with Braille, 54 × 125 cm
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on mirror, framework in drinks gilded, H75 × W87 × D7 cm
Guangyi Wang17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Serigraphie on mirror, framework in drinks gilded, H75 × W87 × D7 cm
Campbell's Soup Black Bean, 1968, Graphic, 90 × 60 cm
Andy WarholCampbell's Soup Black Bean, 1968, Graphic, 90 × 60 cm
Marilyn Monroe, Sunday B. Morning limited edition prints, set of 10 serigraphs, 91.4 × 91.4 cm(each)
Andy WarholMarilyn Monroe, Sunday B. Morning limited edition prints, set of 10 serigraphs, 91.4 × 91.4 cm(each)
Mildred Scheel, 1980, Screenprint with diamond dust on Aches 88 paper, 77.5 × 55 cm, ed. 426/1000
Andy WarholMildred Scheel, 1980, Screenprint with diamond dust on Aches 88 paper, 77.5 × 55 cm, ed. 426/1000
Soup Can Mini Series, Sunday B. Morning limited edition, Set of 4
Andy WarholSoup Can Mini Series, Sunday B. Morning limited edition, Set of 4
The Souper Dress, 1967-68, Screenprint on Cellulose Dress, 96.52 × 55.88 cm
Andy WarholThe Souper Dress, 1967-68, Screenprint on Cellulose Dress, 96.52 × 55.88 cm
Capital Claw 3, 2002, perspex, plastic moulded rock, polished steel, glass apple(green), rubber and strobe lights, 196 × 107 × 130 cm
Gary WebbCapital Claw 3, 2002, perspex, plastic moulded rock, polished steel, glass apple(green), rubber and strobe lights, 196 × 107 × 130 cm
Great American Brown Nude Cut-Out, 1971, Color silkscreen on cardboard, 40 × 50 cm, ed. 100
Tom WesselmannGreat American Brown Nude Cut-Out, 1971, Color silkscreen on cardboard, 40 × 50 cm, ed. 100
Great American Nude Cut-Out, 1970, Thinned liquitex and pencil in colors on die-cut museum board mnts to matboard, 40 × 50 cm, ed. 100
Tom WesselmannGreat American Nude Cut-Out, 1970, Thinned liquitex and pencil in colors on die-cut museum board mnts to matboard, 40 × 50 cm, ed. 100
Judy Dressing, 1960/92, Enamel on cut steel, 173 × 165 cm
Tom WesselmannJudy Dressing, 1960/92, Enamel on cut steel, 173 × 165 cm
Monica Nude with Stockings, 1985/91, Enamel on cut steel, 140 × 190 cm
Tom WesselmannMonica Nude with Stockings, 1985/91, Enamel on cut steel, 140 × 190 cm
Seascape Tit with Scribble, 1991, Screenprint with color on Arches 88 paper, 87.9 × 76.2 cm, ed. 100 + 12 AP(one of 68 remaining impressions, 32 were destroyed)
Tom WesselmannSeascape Tit with Scribble, 1991, Screenprint with color on Arches 88 paper, 87.9 × 76.2 cm, ed. 100 + 12 AP(one of 68 remaining impressions, 32 were destroyed)
Haini, 2002, synthetic fiberglass, lacquered with metal plague, 90 × 65 × 65 cm, ed. 60
Franz WestHaini, 2002, synthetic fiberglass, lacquered with metal plague, 90 × 65 × 65 cm, ed. 60
You are my water in Dryland (17 Artists' Mirrors & Alzheimer's Disease for the Claude Pompidou Foundation), 2004, Mirror tinged in blue, text and engraved personages, paints and lit up by 3 neons, 70 × 50 × 5 cm
Bob WilsonYou are my water in Dryland (17 Artists' Mirrors & Alzheimer's Disease for the Claude Pompidou Foundation), 2004, Mirror tinged in blue, text and engraved personages, paints and lit up by 3 neons, 70 × 50 × 5 cm
Big Disobedience, 2016, aluminum, paint, 200 × 101 × 101 cm, 206 × 105 × 110 cm, ed. 3/3 + 1 AP
Erwin WurmBig Disobedience, 2016, aluminum, paint, 200 × 101 × 101 cm, 206 × 105 × 110 cm, ed. 3/3 + 1 AP
The Interior of a House with Nuclear Exterior, 2022, Acrylic, gouache, Flashe, marker, graphine, spray paint, airbrush, paper, fabric and sewing on canvas, 182.9 x 213.4 x 4.4 cm
Taylor WhiteThe Interior of a House with Nuclear Exterior, 2022, Acrylic, gouache, Flashe, marker, graphine, spray paint, airbrush, paper, fabric and sewing on canvas, 182.9 x 213.4 x 4.4 cm
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Liquorice Shoes, 2008, liquorice, silicone and Styrofoam in two parts, 70 x 64 x 227cm (EACH SHOE)
Andy YoderLiquorice Shoes, 2008, liquorice, silicone and Styrofoam in two parts, 70 x 64 x 227cm (EACH SHOE)
17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Two mirrors sérigraphiés climbed on two plates of aluminum forming an angle of 90°, 50 x 50 x 0.5 cm
Kimiko Yoshida17 Artists' Mirrors & Alzheimer's Disease (for the Claude Pompidou Foundation), Two mirrors sérigraphiés climbed on two plates of aluminum forming an angle of 90°, 50 x 50 x 0.5 cm
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Boxer, 2016, Charcoal pencil and oil on canvas, 130 × 200 cm
Xiangmin ZhuBoxer, 2016, Charcoal pencil and oil on canvas, 130 × 200 cm
